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Could there be any other?Ī sparse, juddering beat, an artfully deployed sample of Frank Ski’s 1992 Baltimore club staple ‘Whores In This House’ and the dual talents of Cardi B and Megan Thee Stallion – there really were no added frills to be found on ‘WAP’.
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The most talked about song of 2020 is also our Number One. Scratch that: a classic RTJ anthem, and the one the world needed.īest bit: Pharrell yelling “ SHIIIIIT” like he’s doing his best impression of Clay Davis from The Wire before dropping the already immortal “ look at all these slave masters posing on yo’ dollar” line. Arguably the pick of the bunch on the record is ‘JU$T’, which saw Killer Mike and El-P linking up once again with Rage Against The Machine’s legendary shouter-in-chief Zack de la Rocha (“the unofficial third member of Run The Jewels,” El-P declared recently) and inviting Pharrell along for the ride – not a bad line-up, right? Recorded at Rick Rubin’s Shangri-La studios, ‘JU$T’’s searing critique of capitalism, crime and social injustice in the US over El-P’s bouncing and Neptunes-nodding beat made for a classic RTJ composition. RTJ roared back into life in 2020, packing a powerful, politically charged punch with their deservedly acclaimed ‘RTJ4’ album. It’s an astonishing song: one that fuses witty lyricism with megawatt hooks, and a reminder that Taylor Swift is an artist who should never be underestimated.īest bit: The rich storytelling: Swift brings Harkness’ story to life through concise, pithy couplets like “ And in a feud with her neighbour / She stole his dog and dyed it key lime green“. Here, Swift engaged masterful storytelling techniques over Dessner’s glitchy, cantering production, vividly spinning the tale of Harkness’ life while drawing parallels between the sexist criticism both women have received (such as being called “ mad” and “ shameless”). But it wasn’t until The National’s Aaron Dessner (who collaborated with Swift across her eighth album ‘Folklore’) sent Swift the original instrumental for ‘The Last Great American Dynasty’ that she finally felt the time was right. Swift had wanted to write a song about Rebekah Harkness, the American socialite who used to own the singer’s house in Rhode Island, for years. Taylor Swift – ‘The Last Great American Dynasty’
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For Young Thug’s part, he seems to be gearing up for the release of Slime Life 2, and recently dropped “Take It to Trial” with Gunna and Yak Gotti.8. Since then, we’ve heard The Weeknd collaboration “Smile” and “Real Shit” with benny blanco. Last year saw the release Legends Never Die, Juice WRLD’s first, but surely not last, posthumous album. Thugger flexes on his globe-trotting lifestyle: “Overseas, hundred scheme, bitch, croissants.” Check out “Bad Boy” below. Young Thug provides a second chorus and the song’s most memorable line.
Bad boy song year windows#
The track, produced by Pi’erre Bourne, is the kind of beat that for some reason sounds best in a fast car with the windows down and the bass set to “bone-rattling.” It rides a kinetic hi-hat pattern that’s occasionally underscored by a big bass drum. “Will Smith and Martin Lawrence, I’m a bad boy,” Juice begins, likening his swagger to the stars of the Bad Boys franchise. “Bad Boy” comes with visuals directed by Cole Bennett, and as Pitchfork reports, it’s the final music video Juice WRLD filmed before his death. Juice WRLD’s new posthumous song casts himself and Young Thug in a Michael Bay-style caper.